Another candidate is something like Salto, a 98-gram hopping robot, which performs better than cyclocopters in confined spaces. MAST currently has a cyclocopter that weighs less than 30 grams, but that has the downside of being easily disturbed by its own reflected turbulence when too close to a wall. In December 2017 The Economist assessed the feasibility of Slaughterbots in relation to the U.S. All of the drones were added in post-production. Edinburgh was chosen because the filmmakers "needed streets that would be empty on a Sunday morning" for the shots of armed police patrolling deserted streets, and because the location is recognizable to international audiences. The video was produced by Space Digital at MediaCityUK and directed by Stewart Sugg with location shots at Hertfordshire University and in Edinburgh. and so we thought a video would make it very clear." Russell also expressed a desire to displace the unrealistic and unhelpful Hollywood Terminator conception of autonomous weapons with something more realistic. AI's potential to benefit humanity is enormous, even in defense, but allowing machines to choose to kill humans will be devastating to our security and freedom." Production Īccording to Russell, "What we were trying to show was the property of autonomous weapons to turn into weapons of mass destruction automatically because you can launch as many as you want. The dramatization is followed by a forty-second entreaty by Russell: "This short film is more than just speculation it shows the results of integrating and miniaturizing technologies that we already have. In one scene, the swarming drones coordinate with each other to gain entrance to a building: a larger drone blasts a hole in a wall to give access to smaller ones. As the video unfolds, the technology get re-purposed by unknown parties to assassinate political opponents, from sitting congressmen to student activists identified via their Facebook profiles. A tech executive pitches that nuclear weapons are now "obsolete": a $25 million order of "unstoppable" drones can kill half a city. Small, palm-sized autonomous drones using facial recognition and shaped explosives can be programmed to seek out and eliminate known individuals or classes of individuals (such as individuals wearing an enemy military uniform). The dramatization, seven minutes in length, is set in a Black Mirror-style near future. Synopsis Students attempt to flee lethal microdrones Ī sequel, Slaughterbots – if human: kill() (2021), presented additional hypothetical scenarios of attacks on civilians, and again called on the UN to ban autonomous weapons that target people. The film's implication that swarms of such "slaughterbots" - miniature, flying lethal autonomous weapons - could become real weapons of mass destruction in the near future proved controversial. On YouTube, the video quickly went viral, garnering over two million views and was screened at the United Nations Convention on Certain Conventional Weapons meeting in Geneva the same month. It was released by the Future of Life Institute and Stuart Russell, a professor of computer science at Berkeley. Slaughterbots is a 2017 arms-control advocacy video presenting a dramatized near-future scenario where swarms of inexpensive microdrones use artificial intelligence and facial recognition software to assassinate political opponents based on preprogrammed criteria.
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